In our guide to markers and notes we explained how to place markers during a recording. This page summarises best practices for working with these in your chosen audio editor (DAW).
We’re always interested to make your workflow as smooth as possible. If your chosen audio editor is not supported, or you have something important that you think we should mention then let us know.
Watch a quick tutorial video.
Watch a quick tutorial video.
Hindenburg is a great editor tuned for spoken-word content, and it supports Cleanfeed markers.
Hindenburg reserves markers number 1 and 2 for the start, and end of your session respectively. So your personalised markers begin at number 3.
Import the audio files into your session, then:
Be sure to use the Audition-specific file. Audition has some quirks when importing markers, one of which is that it's actually a tab-separated file masquerading as a CSV (comma-separated) file.
Reaper is another popular audio editing tool. Regions and markers are global in the Reaper session, and the steps to import them from Cleanfeed are:
Moving clips around won’t affect the global markers, so
they can easily get out of sync. That’s if you
aren’t using the ripple
editing modes:
specifically Ripple editing all tracks from
the main toolbar. In fact, that’s a good general advice
for multitrack editing in Reaper; see
this
tutorial video for Ripple Editing in Reaper.
One of the audio editors you’re more likely to find in high-end professional use.
To import Cleanfeed markers into ProTools we MIDI as the standard file format. This means the markers appear on their own 'track'.
Markers in the MIDI file are relative to timings at 120 BPM. Be sure to honour the tempo map, and that your session is 120 BPM.